OLD BLOOD NOISE ENDEAVORS MAW [XLR Vocal Pedal] (OBNE) Vocal/Instrument Effect

■Multi-effects that also support XLR microphone input

MAW was born from the desire to use the unique worldview of Old Blood Nioise Endeavors effects with an XLR microphone. Equipped with a uniquely designed high-quality microphone preamp, it can be directly connected to an XLR microphone.

Of course, it's a perfect match for any instrument, including guitar, bass, and synthesizers. It's a one-of-a-kind multi-effect that can provide useful sounds in any situation.


● Equipped with many original effects

The signal input to the MAW first passes through the saturation section and then to channel A, and then to channel B.

SATURATION is a distortion section that adds beautiful drive (saturation). Its unique design allows you to set the blend ratio between clean boost and distortion rather than controlling the gain, allowing you to find the perfect match not only with instruments but also with vocals.

A total of 10 programs are included, five on each effect channel A and B. These unique effects, full of OBNE's signature twist, can be turned on and off independently with a foot switch, so you can also apply them to both channels simultaneously.


・Channel A

Octaves: An octaver with independent control of the low and upper octaves.

Phaser: A familiar phaser effect with rate and depth settings.

Short Delay: A short delay that can be set up to 250ms. Even at maximum feedback, it does not oscillate and repeats infinitely, allowing for looper-like play.

Reverb 1: A short reverb that recreates a relatively small space.

Reverb 2: A long reverb that evokes the feeling of a vast space.


・Channel B

Rotary: Splits the signal into low and high sections and applies different rates of tremolo to recreate the rotary effect.

Flange: A familiar flanger effect with rate and depth settings.

Long Delay: A long delay that can be set up to 1000ms. Even at maximum feedback, it does not oscillate and repeats infinitely, allowing you to play like a looper.

Reverb 3: A short reverb with a sparkling shimmer.

Reverb 4: A long reverb with a dark voicing. It boosts the low-mid range while extending the decay, creating a thicker, more reverberant sound.


[SPECIFICATION]
Equipped with a high-quality microphone preamp, it can accept XLR inputs for microphones as well as instruments.
A saturation (distortion) section that can be adjusted with Blend, Volume, and Tone and turned on and off with a foot switch.
A fully independent 2-channel effects section with modulation, delay, reverb, octave, etc. Each mode allows you to control mix and two parameters.
A footswitch allows for momentary or latching dry out, increasing versatility in send/return mixes, allowing for the insertion of external effects, and also switches the effect trail.
210mA 9VDC center negative. Batteries cannot be used.