LEWITT LCT640 TS (Root) (FET condenser microphone) (compatible with polarizer plug-in for directivity switching)

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Multi-pattern large diaphragm condenser microphone with outstanding sound quality.
At first glance, the LCT640TS appears to be a new condenser microphone added to Lewitt's lineup, but it is an innovative microphone that allows you to change its directionality after recording, and has the potential to change the very concept of recording.

The LCT640TS features two diaphragms, one in front and one behind, that pick up and output the sound independently for recording. This unique microphone seamlessly switches from omnidirectional to bidirectional after recording, and even allows for a 180-degree change in microphone direction. This functionality allows you to increase the amount of ambient sound depending on the sound you need after recording, create creative stereo recording techniques, or record face-to-face duets.

Additionally, by placing the microphone sideways toward the source, you can achieve Mid Side (MS) stereo recording using just the LCT640TS. The front side acts as the left and the rear side acts as the right. Summing both signals creates the mid channel. The easiest way to achieve this is to input the signal as a stereo track in your DAW and control the stereo width.

Additionally, the newly developed Polarizer plug-in is bundled. This plug-in allows seamless control of microphone directionality during the mixing stage. Polarizer is compatible with major formats (VST, AU, AAX) and Mac & Windows. Directionality can also be controlled manually from a DAW or mixing console. The LCT640TS is a microphone that inherits the basic performance of Lewitt's flagship FET large-diaphragm microphone, the LCT640, while allowing you to manipulate directionality like a time machine.

Features

1 Equipped with an extremely thin (3 micron) gold-layered low-mass diaphragm that faithfully captures even transients Flat frequency response for natural, authentic sound quality Dual diaphragms allow for single-side recording or duets with singers facing each other Five preset polarities, from cardioid to bidirectional, and intermediate characters can be set Microphone polarity can be reversed 180° after recording Dual output possible via the included mini XLR Bundled with the Polarizer plug-in, which allows for seamless control of microphone directionality during the mixing stage Compatible with Mac & Windows (VST, AU, AAX) Quick, noiseless pushbutton control of attenuation and high-pass filter Four-position attenuation pad (0 dB, 6 dB, 12 dB, 18 dB) and four-position high-pass filter for high sound pressure levels Illuminated user interface for easy operation in dark environments Durable zinc die-cast construction Internal shock mount reduces noise from the body mic Rust-resistant gold-plated 3-pin XLR output connector Includes dedicated military-grade case, LCT 40 SHx shockmount, LCT40-Wx windshield, LCT 40 PSx pop filter, and DTP 40 Lb leather bag


Main Applications

Lead Vocals Background Vocals Classical Instruments & Ensembles Stereo Recording (XY, ORTF, AB, etc.)
Acoustic instruments (strings, guitar, piano, etc.)

Specifications

Acoustical operating principle pressure gradient transducer，
externally polarized diaphragm
3 micron gold sputtered Mylar
Transducer O 25, 4 mm
1 inch
Polar pattern selectable from omnidirectional to figure-8
Sensitivity 28mV / Pa (-31 dBV) +/- 3 dB
Signal / noise ratio 83 dB (A)
Equivalent noise level 11 dB (A)
Dynamic range of FET mic. Amp. 121 dB (A)
Max. SPL for 0, 5% THD 132 dB, 0 dB pre-attenuation
Pre-attenuation pad 6 dB, 12 dB, 18 dB, switchable
Low cut 12 dB / octave at 40 Hz
12 dB/octave at 80 Hz
6 dB/octave at 160 Hz
Internal impedance＜120ohms
Rated load impedance ＞ 1,000 ohms
Supply voltage 48 V +/- 4 V
Current consumption 5.5 mA
Enclosure Zinc die cast
Connectors gold plated 3-pin XLR
Dimensions: 158 x 52 x 36 mm
6.22 x 2.04 x 1.42 inches
Net weight 425g
14.9 oz